Tiny Rebel Games Discusses Doctor Who: Infinity

We may still be quite some time away from the nebulous time of “Autumn” and this new series of Doctor Who that keeps getting dangled in front of us like the proverbial carrot, but the team at Tiny Rebel Games is taking on the noble work of keeping us covered with new content. What’s more, they’re giving us just the right distraction to keep us from fully realizing how mind-dumbing our jobs are, how long the train commute is, and how long we’re spending waiting for the oven to preheat.

In their latest undertaking, the development team at Tiny Rebel Games has promised us the release of “Doctor Who: Infinity” early this summer.  As we did a few years back, we got the chance to call and chat with them about the game, find out what distinguishes it from their previous title, “Doctor Who: Legacy”, and try and determine if we should really be all that excited for it.

(Spoilers? You really should…and that’s before Michelle Gomez, Katy Manning, George Mann, Ingrid Oliver, and a host of other renown Whovian stars enter the picture.)

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Desert Island Doctors

Desert Island Doctors

Just sit right back, and you’ll hear a tale, a tale of a big blue box
That left you and your Time Lord mate abandoned on the rocks.
No rescuers will come to aid, no hope of being found
You’re on your own, so make the best of what you find around.
Your cohort is a little mad, you’ve known that for a while,
But which face does the Doctor wear beside you on the isle?

This week, the GPR trio sits down to play their fledgling “who’d you choose?” game in earnest, looking to identify which of the Doctor’s regenerations we’d want with us if trapped on a deserted island. To make the game interesting, we ponder categories like ‘the Doctor you’d want if looking to survive’, or ‘the Doctor to help keep you sane’, or even ‘the Doctor to help escape the island because you sure as heck know that search and rescue team isn’t coming, and if you eat one more banana you’re going to snap’. In any case, Gilligan had the Professor, so the Doctor’s a definite improvement, right?

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Gallifrey! The Musical!

There’s only one place where you’ll see the most fantastic costumes, outlandish characters, unbelievable exploits, manic emotional upheaval, and tumultuous conflicts — Camden, New Jersey! No, wait. Broadway? Getting closer, in a non-geophysical location sense — GALLIFREY!

This week, joined by Andy Hicks of the Coal Hill A/V Club, we destroy some perfectly nice, quiet down time by wondering what Doctor Who would be like if characters suddenly broke into song. Much like episodes of “The Monkees”, “Galavant”, or the odd NBC live attempt, we grab memorable moments from some of our favorite episodes, and think of who would take that opportunity to step forward into the limelight and belt out a tune. Andy even rewards us with one of the A/V Club’s signature song parodies — and you may never listen to Jefferson Timeship…er…Starship the same way again.

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Recasting On a Budget

You may choose to point a finger in any number of directions to pin blame for the “Wilderness Years” when Doctor Who left the air. The 1996 tele-film was in many ways an attempt to bring the program to a new American audience, but for whatever reasons one may choose to apply, it was not the overwhelming success we may have hoped. Do producers in the United States have a particular and unique gift for wanting to boost program concepts from other global markets, but not get them quite right due to improper budget, inaccurate audience targeting, or perhaps poor casting choices? That last one gives us pause — and we could apologize to our silver-ghost-snake-form Master for it, but we doubt he’d listen before torturing us to the brink of death.

This week, we have a laugh at ourselves as American viewers, and wonder what we would do if trying to cast iconic Doctor Who roles with American actors who, for whatever reason, were not “the” commodity in demand at the moment. From the Ninth Doctor, to Sarah Jane Smith, to Strax, we poke a bit of good natured fun at our favorite program — and ourselves in the process — and learn that sometimes, what sounds like even the most ridiculous casting choice imaginable might actually be really, really entertaining to watch. (In a parallel universe, that is.)

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The Elevator Pitch of Doom

Elevator Pitch of Doom

All you wanted was a simple trip down to the ground floor, to grab a fresh cuppa from the fairly trustworthy cafe before dashing back up to your hotel room. Little did you know that when the doors closed, you’d find yourself next to none other than the head of programming for [insert really hip television network here]! Brain reeling, you see this as your big chance to lay out your ideas for that program that you’ve always wanted — but you only have until the lobby light illuminates to make your plea. How are they going to know how desperately you want to see that obscure but compelling character cross over into a new viewing experience? Think fast, O Ye Representative of All Fandom, think so very fast!

This week, we’re playing a little innocuous game dubbed ‘The Elevator Pitch of Doom’, in which we are given a smattering of supporting Doctor Who characters, and have to find ways to utilize them in new program genres and script applications, thus ensuring that the televised world never goes a moment without Whovian influences throughout. It’s for the greater good, after all. THE GREATER GOOD.

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